PinkNoise Studio Matrix v1.40 KONTAKT DVDR

PinkNoise Studio Matrix v1.40 KONTAKT DVDR | 819 Mb
MATRIX is a Kontakt sound library based on the best sounds of the famous Oberheim Matrix-1000 synthesizer. Featuring a wide range of warm analogue sounds, this collection lets you add dynamic basses, vivid leads and fatpads to your musical productions.

Features:
• 246 Kontakt patches (in 6 categories)
• over 1.1 GB of 44kHz/24 bit samples (1812 perfectly looped wav files)
• 12 midi controllable knobs for realtime tweaking and for midi automation of the most important synth parameters
• extensive editing techniques: multiple velocity layers, round-robin, alternate sample starts to achieve fat, lively and realistic analogue sounds
• exclusive IR sample collection for the convolution reverb of Kontakt

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Tonehammer Requiem Pro KONTAKT

Tonehammer Requiem Pro KONTAKT | 28.4 Gb
REQUIEM is the successful culmination of a dream we have had for several years. We always believed that there was another way of sampling choir and vocals. We believed it would be possible to have completely audio-realistic choir samples with a strong emotional connection. We believed that we needed to cover all the basic articulations, but also add a variety of new dimensions to this powerful type of sampling.

REQUIEM was recorded over a period of two weeks in one of the oldest and most known cathedrals in San Francisco. The conductor, Robert Geary, is one of the leading choir conductors in the the US and the choir includes members of his multi-award winning VOLTI choir and members from the SF Choral Society.

REQUIEM is the next-generation virtual choir developed for professional composers. The library is based on a variety of new recording and sampling techniques some which have never before been deployed in choral sample libraries. The library can literally sound like a real choir and includes both full choir (SATB), divisi groups (males/females) and solo singers – all recorded in 24 bit / 44.1khz with a total of 6 unique microphone positions. In Requiem Light, these microphone positions are mixed down into a single well-balanced blend, providing all the quality, depth, power, tone and body of our Pro version, while allowing a significant overall conservation of system resources (cpu, ram, storage space and disk streaming bandwidth) and greater ease of use.
We've simplified the content to provide just the most essential articulations and presets.

The library contains sustains and polyphonic true legato from piano to forte, covering 3 primary vowel sounds, over a dozen vowel sustaining variants, 2-velocity staccato with 2X round-robin, ultra forte marcato, two unique phrase and chant sequencers, latin chants recorded at different speeds across entire interval of choir with playable real-time legato functionality, +1000 choral effects including whispers, shouts, clusters, demonic chants, sweeps, consonants, claps, snaps and dozens of other effect types.

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Hollow Sun Novachord KONTAKT

Hollow Sun Novachord KONTAKT | 336 Mb
Back in the 1930s, there was a man called Laurens Hammond, an electronics engineer, inventor and innovator. At the age of 14, he had designed an automatic transmission mechanism for motor cars (which was rejected by Renault!) and later would invent, in 1922, a 3D movie playback system as well as a clock motor. However, he is best known for the patent he took out in 1934 for a tonewheel organ which was to become, of course, the B3 and C3 and various other models.

In 1939, however, Hammond released something altogether different - the world's first polyphonic synthesiser.

Using divide-down oscillators (the world's first?), the Novachord was fully polyphonic. The oscillators pass through resonators, hi-and lo-pass filters and a simple but effective envelope shaper. What is particularly impressive is that the Novachord had LFOs and envelope shapers for every one of its 72-notes so that the instrument was TOTALLY polyphonic! This is actually very impressive as even string synths 40 years its junior such as the ARP Omni, Moog PolyMoog, etc., were paraphonic - i.e. all voices sharing a single LFO/envelope. This means that combined with the huge polyphony, six octaves and a superb sustain control, you can combine massive chords and arpeggios with no chance of note stealing. The electronic architecture that makes this possible is beautifully elegant too. It also has vibrato but not like the type found on analogue synths - instead, the modulation is polyphonic which imparts a rich ensemble effect to its sounds.

Features:
* 44.1kHz/24-bit sampled raw with authentic deficiencies
* Kontakt 3.5
* Unique sounds from 1939
* Custom scripted panels for Kontakt with...
- 'Resonators' and filters to emulate the original
- FX designed to re-create classic sci-fi movie sounds
- Control of attack and release times

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Soundiron Kazoo KONTAKT

Soundiron Kazoo KONTAKT | 442 Mb
This library was created with the help of a world-class kazoo ensemble, featuring some of the finest hand-crafted wax paper and plastic wind instruments that money can buy. We gathered together four of the finest kazoo virtuosos in the world to capture this power ensemble collection. We recorded this brilliant sample set in our own private studios.
This library includes features such as delicate automation control, 4-times round robin on all sustains and 4-times round robin on all release triggers, advanced programming and playability and special custom instruments that feature our life-like hall acoustic simulation technology. All in all, we feel this is the most powerful professional-grade kazoo ensemble library available anywhere in the world.

Functionality
For solo kazoo patches, we recorded each and every semitone from G#2 – D4, with three independent levels of expression, from steady, to vibrato and all the way up to full tremolo. Each note is continuously looping, with an average loop length of over ten seconds. All notes feature release-triggered samples.

The ensemble patches are the shear essence of power. Legato scripting for commanding leads and driving melody lines, with tight programming to allow a strident, confident and virtuosic playing style. This instrument uses our own custom epic hall reverb convolution to elevate the sound to the most brilliantly soaring heights. This state-of-the-art convolution technology uses live impulse response signatures, which were captured with expert precision and care by our own in-house engineering team, in one of the finest recording halls in all the world.

Deep Sampled Articulations
4 Main Articulations:
* Ensemble (w/legato)
* Solo
* Duet
* Vocal Backing

NKI Program Presets
This library is designed for the full retail version of Kontakt 3.5 or later (Kontakt 4 is also supported). We’ve included 20 Kontakt 3.5/4-compatible nki programs.

Info
450 Samples (standard pcm wav)
20 .nki files (unlocked format)
440 MB installed
16 bit / 44.1kHz stereo PCM wav format
Format(s): Kontakt 3.5 .nki and pcm .wav

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Music Services DRUMASONIC v2.0 LE KONTAKT SCD

Music Services DRUMASONIC v2.0 LE KONTAKT SCD | 5.07 Gb
New instrument models, more microphone signals, even greater dynamic response and elaborate round robin implementation. All the newly recorded instrument models can be played with sticks, rods, or brushes. Drumasonic LE comes with 1 bass drum, 4 snare drums, 5 toms, 4 hihats, 5 rides, 9 crashes, recorded in two different rooms. Up to 11 microphone signals per instrument allow for a virtually unlimited mixing flexibility and sonic diversity.
Great e-drum playability: enjoy natural-sounding flams, rolls, cymbal chokes and incredibly realistic hihat control. Built-in preset system: choose from a selection of pre-mixed drum kits, or create your own mix. Integrated groove player with extremely flexible and musical groove modification capabilities, providing shuffle, quantize, delay, velocity per instrument category and much more. Shipping with a groove library containing hundreds of production-ready grooves, fills, and percussion loops. The integrated mapping converter allows for seamless integration of 3rd party groove libraries. Versatile integrated mixing engine providing state-of-the-art effects, such as EQ, compressor, transient shaper, tape saturation, convolution reverb, delay, and master limiter. Superior phase correlation: no matter which mic signals you combine, drumasonic will always sound fat and natural. Streamlined interface: mix your drums faster and easier than ever before. Over 30,000 samples — more than 4 times the number of drumasonic 1.5. Efficient load and purge features: deactivate unused microphones and/or articulations to save memory and optimize the performance.

Note: Kontakt 5.0.2 required.
Use 'Browse for files' to locate drumasonic2.nkr.

Important
Seems Native.Instruments.Kontakt.5.v5.0.2.UNLOCKED.x86.x64-ASSiGN doesn't fully "unlock" this library. After 10 minutes of testing it I've got the message that trial period has expired thus the interface was blocked on both 'Damped room' and 'Large room' patches. Besides, as seen from Kontakt Instrument Navigator, drumasonic 2 LE - Large Room.nki and drumasonic 2 LE - Damped Room.nki were created using Kontakt V5.0.3.5796, maybe that's the reason Kontakt.5.v5.0.2.ASSiGN cannot handle it. As you know Native.Instruments.Kontakt.5.v5.0.2.UNLOCKED.x86.x64-ASSiGN is the latest working cracked version that was released by ASSiGN for this moment...

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Tonehammer Soundiron Old Busted Granny Piano Kontakt

Tonehammer Soundiron Old Busted Granny Piano Kontakt | 207.9 MB
This instrument is pretty special to us, though it doesn’t sound all that great from purely academic point of view. Actually, it sounds pretty damn rough. We realized that there is already a million other amazing piano libraries around, but none of them have ever captured the authentic beauty of a dusty, old, haven’t-been-played-since-granny-lost-her-hearing upright piano. It has been sitting in the living room of an old friend’s house for a good long decade and who knows where it as before that. We don’t know the brand or model off hand, but she looked to be about 60 or 70 years old and quite beat up the last time we saw her.

Her tone is watery and faded.There are a number of broken and badly de-tuned strings, especially in the upper range.The wood is pitted and scratched and the ivory was partially or completely missing from more than a dozen keys. She was way, way out of tune and there were more than a few broken strings in the higher octaves. Every note you’d play started with a loud, wobbly wooden thud and ended the same way as soon as you lifted your finger again. Sometimes, she would creak and groan in the middle of the night, for no reason at all really. Clearly, the years were not kind to her looks or her voice, but her soul truly aged like fine wine.

Details

We captured 3-4 velocity layers on all keys, with added round-robin variation on the two middle octaves in the mf range.There are actually two independent release trigger samples for every note to better replicate the natural behavior of the instrument as we recorded it. Each note has separate string release samples and key release samples.The “key” release trigger is the soft, distant sounding mechanical wooden “thud” that naturally occurs whenever any key is lifted, even after the resonance has faded.

The piano is so old and rickety that you have to very slowly releases the sustain pedal or all of the hammers come crashing back down on the strings and occasionally even get stuck there if you lift your foot too quickly.

Info

707 Samples (standard pcm wav)
20 .nki files (unlocked format)
949 MB installed
16 bit / 44.1kHz stereo PCM wav format
Format(s): Kontakt 3.5 .nki and pcm .wav

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Tonehammer Soundiron Ambius Vol 1 Transmissions KONTAKT DVDR (repost)

Tonehammer Soundiron Ambius Vol 1 Transmissions KONTAKT DVDR (repost) | 1.8 Gb
In this first volume of our Ambius series, we focus on the dark, the cryptic, the unnatural and the subliminal, in the form of unearthly angelic bell tones and demonically corrupt signals filtering through the void. This massive collection of ambiences, drones, pads and evolving synth leads were each created by hand. Every sound you hear was hand-crafted using only organic field and instrument recordings. In fact, no synthesizers were used in the creation of this library at all. We used a variety of custom techniques to blend, warp, shape and layer the sounds, taking them from the realm of the known into that of the very unknown. The instruments you'll find in this collection range from simple, clean, tonal leads to compound, constantly moving sound-scapes and textures.

Instruments are broken into 3 main categories (Tuned, Melodic and Horror), with 288 Kontakt programs, 352 looping wav samples and 2.5 GB of total ambient content, plus a selection of our custom stereo convolution reverb impulses. Each instrument includes special controls for multi-layer cross-fading, filtering, intensity, octave/semi-tone stepping and effect wetness control.

You'll find a faded archive of EVP recordings engineered by the dead, ear-witness accounts of unholy medical procedures, insidious swarms of enraged stinging insects, terror winds speaking with voices of pure and ancient decay and bio-mechanical devices worming through primordial pools of seething logic. We also included 7 beautiful tuned solo/lead instruments and a large collection of complex evolving melodic pads, ranging from darkly dissonant to brilliantly harmonious. You will marvel in the sweeping glory of infinite choirs and spin endlessly soaring melodies from our cluster bells.

Tuned Solo:
Clusterbells – Dark, sustaining bell-like drones with a searing top end, these make for great pads and leads.Dig – This set has tonal and textural similarities to a wall of didgeridoos, with plenty of muddy, complex bass and mid tones.
Musiox – Clean, crisp sustaining bell tones
Pangubus – Clouds of vast, warm organ-like texture, morphed with deep brass bells
Pianus – Sustain drawn to infinity.
Protus – Similar in nature to the pangubus, but darker, crisper and yet more dissonant.

Melodic Pads:
Para-orchestral – Orchestral atmospheres and pads, from light and harmonic to dark and discordant.
Re-choral – Choir-like pads and atmospheres, from light and harmonic to dark and discordant.
Transmusical – Dark, evolving, dissonant complex ambient drones

Horror drones, textures and ambiences:
Drill-o-phone – tuned lead instrument created from a dental drill grinding into tooth enamel
The root canal – pads and ambiences created from an actual root canal procedure
EVP – Evil transmissions from the other side, ranging from mystical to horrific
Industry- Dark machines at work.
Panorganics – Strange alien biological auditory experimentation
Rictus – sickly neon lights
Swarming – great killer bee swarms and locust plagues
Winds – storm winds howling through the cracks and endless hallways of an ancient factory building.

Format: NKI WAV

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Native Instruments Scarbee Funk Guitarist KONTAKT DVDR (repost)

Native Instruments Scarbee Funk Guitarist KONTAKT DVDR (repost) | 7.48 Gb
Imagine the perfect funk guitarist: groove, precision and no solos please welcome SCARBEE FUNK GUITARIST. This innovative instrument gives you instant playability and total control, with the genuine flavor of the funk. Lovingly sampled in uncompromising SCARBEE quality, SCARBEE FUNK GUITARIST is expressive, articulate and instantly useable create driving rhythm guitar lines in minutes. Essential for anything from funk and soul to hip hop and R'n'B, but also perfect for adding an organic element to house or pop, this instrument is highly addictive and a true funk phenomenon.

Even if you've never held a guitar in your hands, SCARBEE FUNK GUITARIST lets you channel the funk immediately. Using nothing but two fingers and a MIDI keyboard, you can jam and improvise for hours on end. Your right hand controls the groove – each groove preset consists of three basic riffs and multiple variations. Your left hand selects chords and velocity, with each key mapped to a specific chord. In each chord map, just hit the white keys, moving upwards from C to play authentic chord progressions, many based on classic funk tracks – this instrument pays its dues to a great funk tradition.

For building your own chord maps, the chord finder is a compendium of funk guitar chords and voicings. Just select the chord you want – regardless of whether you can play it or not. And if you’re comfortable with the keys, use automatic chord detection to build your own chord maps. Whatever chord you play is instantly added to a chord list, including voicing, top notes and alterations. Play a series of chords to create a mapping in seconds – perfect when you’re working with existing pieces. Every aspect of SCARBEE FUNK GUITARIST is editable. The groove editor lets you manipulate the individual elements of a groove, so you can remodel existing grooves or create your own phrases out of different articulations.

Clever algorithms handle the transitions between up and down strokes, mutes, hammer-ons and slides, to ensure that every groove sounds startlingly realistic. The same algorithms apply when you build grooves in the Groove Editor, providing a natural flow to your own custom riffs. Over a year in the making, SCARBEE FUNK GUITARIST is a breakthrough in guitar sampling. The construction process was incredibly detailed – 3411 chords, recorded in multiple velocities, up to 11 articulations, different playing positions and pickup settings, resulting in up to 152 samples per chord. The finished instrument sounds organic and genuinely funky – it’s almost impossible to hear the difference to the 'real thing'.

1. Unpack.
2. Burn or mount.
3. Copy the library on your hard drive; import it in K'ed Kontakt.

FORMAT..: KONTAKT

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Vir2 Instruments Fractured Prepared Acoustic Guitars KONTAKT DVDR (repost)

Vir2 Instruments Fractured Prepared Acoustic Guitars KONTAKT DVDR (repost) | 2.14 Gb
Created for both musical use and sound design, Fractured: Prepared Acoustic Guitar is an innovative new collection of instruments featuring creative and esoteric samples and manipulations of various acoustic guitars. Following the tradition begun by Violence, Vir2's virtual dismembering of a solo violin, Fractured features 2.3GB of compressed samples and more than one hundred new instruments with numerous variations and effects built into each. Each patch features the organic goodness of the acoustic guitar, but stretches its timbre in new directions to create previously unheard musical effects. Drum kits were made with mallets, fingernail scrapes, metal scrapes, cardboard scrapes and pouring rice over the guitar. Long evolving pads were built from acoustic guitar samples that blur the line between electronic and acoustic. Fractured also features playable and dynamic rhythmic loops and patterns, multitimbral arpeggiated creations, huge cinematic impacts, gritty electronic drums, gnarly and etherial melodic instruments, and more innovative sonic goodness.

The instruments are subdivided into five major category folders:
Chromatic Kits
Drum Kits
Melodic
Pads & SFX
Tempo Synced

Depending on the instrument loaded, appropriate knobs for tweaking the instrument appear in the interface, such as:
Quantization
Envelope controls (attack and release)
Stereo spread
Lopass and hipass filters
Layer blend controls
Effects (reverb, delay, drive, flanger, vibrato, rotator, wobble, and others)
Autopan control
Repeater

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Vir2 Instruments Q KONTAKT DVDR (repost)

Vir2 Instruments Q KONTAKT DVDR (repost)
Disc 1: 3.78 Gb | Disc 2: 6.48 Gb
Q (as in, cue, or, if you prefer, as in the master spy's gadget man), contains almost two thousand patches and 16GB of sample material including cinematically thunderous drums, percussion, winds, vocals, ethnic instruments, metallic textures, glass, guitar, toy, ambient atmospheres, synth landscapes, and trailer-ready effects. The library includes both playable melodic pitched instruments and multisampled one-shot percussion and effects. A large collection of epic percussion loops which automatically sync to tempo and are playable both whole and by the slice, are also included.

The collection is divided up into twenty-three main category folders: Ambient Chordal Pads, Cymbals, Gongs, Rolls, and Effects, Drums and Percussion, Granular Orchestra, Guitars, Hong Kong Cinema, Horns and Winds, Impacts and Low Drums, Loops and Construction Kits, Metallic and Glass Melodies, Middle Eastern, Morphstruments, Multilayer Dreamscapes, Multilayer Drones, Mystery, Pedal Steel Ambiences, Pulp Surfer, Sound Effects, Stylistic Phrases, Tempo Textures, Toys and Character Keyboards, Voices, and Western.

Q's easy-to-use interface provides one-click effecting of the library, including the famed EZRoom convolution, delay, chorus, filters, chorusing, flanging, and more. Other advanced functions include a special legato mode for melodic instruments, and crossfade controls for multilayered instruments.

While everything in Q is mapped in Kontakt format ready to play from a MIDI controller, as a bonus many of Q's one-shot effects (such as booms, whooshes, metal scrapes and hits, and special sound effects) are also available on the disc in open 24-bit WAV format, allowing instant drag-and-drop into a film mix.

Q is powered by the industry-leading Kontakt engine. It is compatible with VST, AudioUnit, and RTAS (Pro Tools 7 & 8) plug-in formats allowing it to work seamlessly within any major sequencer, in addition to standalone use.

- iNSTALL NOTES -
1. Unpack
2. Burn or Mount
3. Copy/merge the content of both discs to the same location and import it in your favorite cracked Kontakt.

NOTE: The first disc included a pretty big folder of SFX in WAV format. We included that also in the first disc of the release.

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OrchestraTools Orchestral Strings Run KONTAKT SCD (repost)

OrchestraTools Orchestral Strings Run KONTAKT SCD (repost) | 6.68 Gb
OSR is a Kontakt-Player based string library, which fills the gap of individual, realistic sample-based string runs and energetic string lines. Orchestral String Runs has articulations you missed in every string-library before. Complex string-orchestrations is now possible.

We recorded thousands of samples for Violins, Violas, Cellos and Basses in order to reach incredible realistic results. The industry's first RUNS BUILDER for Violins and Cellos+Basses. Create your individual runs out of thousands of tempo-synced runs-fragments! RUNS TRANSITION PATCH playable smeared runs! based on legato-transitions and repetitions for Violins+Violas.

Details
• Hundreds of pre-recorded, tempo-synced runs
• Tempo-synced looped figures
• Short-Trills Patch sfz Trills and measured tempo-synced Trills HS/WS
• Big soundig basic articulations sustain-patches, staccatos with repetitions
• More than 50 professional musicians were involved
• OSR Tempo-Script synchronize OSR to your host-tempo
• 3 Mic-Positions
• OSR supports the free KONTAKT PLAYER 4

Specifications
11,8 GB of samples compressed: 6,7 GB
24Bit/ 48KHz Patches
16Bit/ 48KHz Eco-Patches
Works with: Kontakt 4.2+

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Big Fish Audio Ambient Skyline 2 KONTAKT (NKI AIFF)

Big Fish Audio Ambient Skyline 2 KONTAKT (NKI AIFF) | 3.47 Gb
Ambient Skyline 2 is the second in a series of ambient & cinematic chill-out loops, rhythm beds and samples created by Funk/Soul Productions. Ambient Skyline 2 contains 6 GB of 24-bit original content, 796 loops and 892 one-shots, all formatted for acidized WAVs, REX, RMX, Apple Loops and Kontakt 4. Quickly create the perfect musical bed and ambient masterpiece with these beautifully crafted loops and sounds.

This product is part of Big Fish Audio's KLI series which includes a custom Kontakt interface. The Kontakt format includes patches of each sample and loop. Customize each loop with the "sliced loops" patches. The Sliced Loop patches lay out each individual slice of a loop across the keyboard, making it easy to create new and original custom parts. The "Kit Combos" allow you to arrange full construction kits quickly and easily with a custom mixer and a host of included fx. Finally, all drum hits have been included in patches of drum menus and drum kits. Create, arrange, tweak, and mix all within the Kontakt format.

The KLI version of this product has been updated to KLI 2.0 and comes in both Kontakt 4 and Kontakt 5 versions. For those with the full version of Kontakt 5, take advantage of the new high quality and extremely flexible new time stretching algorithm as well as a bunch of new included FX.

To load the library drag and drop *.nki patches to your kontakt interface.

Format: NKI AIFF

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Sonic Reality Ocean Way Drums Gold Edition KONTAKT (repost)

Sonic Reality Ocean Way Drums Gold Edition KONTAKT (repost) | 40.8 Gb
The Sonic Reality Ocean Way Drums Gold Edition gives you 40GB of some of the finest drum samples you'll hear, with extensive preset mixes, stereo submixes, and other options. Ocean Way Drums Gold Edition lets you control the pitch and tone of its extensive collection of drum sounds, which were recorded at the renowned Ocean Way Studio B, host to an incredible number of legendary and groundbreaking artists. I-MAP proprietary MIDI note-mapping and drumkit layout gives you extensive MIDI keyboard control, while special maps have been made within Ocean Way Drums Gold Edition for drum pads.

* 40GB of some of the finest drumkits anywhere
* Recorded in a legendary studio
* I-MAP mapping for incredible control
* Compatible with drum controllers and DAWs

40GB of some of the finest drumkits anywhere:
Producers Allen Sides and Steven Miller recorded full drum kits with the finest kick drums, snares, toms, high-hats, and cymbals, utilizing a unique multi-microphone recording technique that captures the sound of each instrument with optimum sonic impact and spatial depth. An enormous variety of sounds are instantly available via preset mixes made by these top engineers, giving users not only the raw drum sounds but a range of sounds that are album quality and ready for professional mixes. Additionally, a virtually unlimited sonic palette is available by experimenting with the various stereo submixes, control of the pitch, tone and effect processing. High-resolution 24-bit/48kHz audiophile sound with realism and expression in performance establish Ocean Way Drums as a new standard in sampled drums.

Recorded in a legendary studio:
The sampling sessions of Ocean Way Drums utilized a one-of-a-kind custom console built by the studio's original designer Bill Putnam, Sr. This console in Ocean Way's Studio B delivers astonishing clarity with a slew rate exceeding 200 volts per microsecond running on 28 volt rails. The historic Studio B has hosted sessions with Frank Sinatra, Ray Charles, Green Day, Paul McCartney, Eric Clapton, and Radiohead, among countless other ground-breaking artists. It is the home of one of the best sounding live rooms and some of the most sought after vintage gear in the world. Also employed in the sampling session were highly customized classic outboard gear by Neve, API, UREI, and Fairchild, along with rare hand-selected vintage tube microphones and special drum kits that have been recorded by top artists on albums at Ocean Way over the years.

I-MAP mapping for incredible control:
Sonic Reality's I-MAP is a proprietary MIDI note mapping/drum kit layout scheme that facilitates improved live performance of drum kits via MIDI keyboard input. I-MAP places drums in their most flexible and intuitive positions, allowing each of the fingers on both hands independent and coordinated control over the loaded kit. With very little practice, it is possible to lay down complete drum tracks in a single take that have an entirely realistic sound and rhythm.

Compatible with drum controllers and DAWs:
Additionally, special maps have also been made for control with high-end drum pads such as the Roland V-Drums. Many of the performance articulations from I-Map were designed to be triggered with maximum dynamics and alternate randomization for incredible realism and expression when played from top of the line drum pad controllers. Finally, access to the individual mic channel samples is also available for direct drum replacement in DAWs such as Pro Tools, Nuendo, Logic, and more. Ocean Way Drums is a complete solution for creating the highest quality drum tracks for all styles of music.

40GB Drumkit Sample Library Features:
* Recorded at Ocean Way Studio
* 40GB of high-quality samples recorded with premium mics and classic outboard gear
* I-MAP MIDI note mapping/drum kit layout scheme for easy control via MIDI keyboard
* Preset mixes and stereo submixes
* Special maps for drum pad controllers
* Access to individual mic channel samples for DAW drum replacement

Note: you don't need to run setup, copy all *.nkx files to 'Samples' folder instead and add the library into Kontakt.

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Cinematic Instruments KONTAKT Pack 20-02-2012 DYNAMiCS

Cinematic Instruments KONTAKT Pack 20-02-2012 DYNAMiCS | 1.32 GB
This pack include: Autoharp, Bowed Guitars, Celtyc Nylon Harp, Chimes, Downbeat Box, Experimental Box Vol. 1 and 2, Guitar Harmonics, Kantele, Spieluhr and Glockenspiel.

Cinematique.Instruments.Autoharp.KONTAKT-DYNAMiCS

The AUTOHARP is a stringed instrument having a series of chord bars, when depressed, mute all the strings other than those that form the desired chord. Despite its name, the autoharp is not a harp – It´s a chorded zither. It´s a perfect instrument to give your music a subtile highlighted shape*.

Cinematique.Instruments.Bowed.Guitars.KONTAKT-DYNAMiCS

As the name suggests “Bowed Guitars” is a collection of acoustic guitar and acoustic bass instruments played exclusively with a bow. By playing these instruments this way, you´ll get a special and unique string sound: intimate and intensive with slight organic scraping. The bass is available as an amped or a clean version. We used a Martin acoustic guitar and a Harley Benton acoustic bass.

Cinematique.Instruments.Celtic.Nylon.Harp.KONTAKT-DYNAMiCS

The Celtic Nylon Harp is a small-sized harp with a height of nearly 39 inch (98 cm) and is usually designed for traditional music. The wooden instrument ranges in three octaves between C2 and C5 and has got 22 strings which are made of nylon and are plucked with the fingers. The harp has a lever close to the top of each string; when it is engaged, it shortens the string so its pitch is raised a semitone (sharped note if the string was a natural). The warm sound of the nylon strings is inspiring and adorable.

Cinematique.Instruments.Chimes.KONTAKT.Sub100-DYNAMiCS

This is solid Bar Chimes, with 26 aluminium chimes with silver alloy coating and red wood frame.

Cinematique.Instruments.Downbeat.Box.KONTAKT-DYNAMiCS

Downbeat encompasses a wide variety of music-styles. But it´s much wider than those terms of “laid-back electronic music” alone would indicate. DOWNBEAT BOX is a fresh and exciting exploration into this world – highly playable, this essential selection will be a wonderful resource for use in a broad range of music styles such as electronic, pop and score music productions*.

Cinematique.Instruments.Experimental.Box.Vol.1.KONTAKT-DYNAMiCS

“Experimental Music” is the genus for a couple of music styles, which incorporate unorthodox and unique elements. The Experimental Box we offer focuses on aspects of glitch, minmal and noise music and gives you a full toolbox of ingredients for cacophony, dissonance, atonality, noise, glitch, machines, hum, and repetition. It is a wonderful assortment of highgly playable rhythms, ambients and instruments which are perfect for writing music in an experimental and minimalist way. Beyond this, the box is suitable for combination with atmospheric, ambient and cinematic music…or just to build a wild cacophony.

Cinematique.Instruments.Experimental.Box.Vol.2.KONTAKT-DYNAMiCS

This is the second part of our successful experimental section: The “Experimental Box V2“. This time we focuses on objects and elements we found in a smithy of an artist blacksmith. We created a nice mishmash of highly playable rhythms, textures and instruments which are perfect for writing music in an experimental and minimalist way or giving your music a special character.

Cinematique.Instruments.Guitar.Harmonics.KONTAKT-DYNAMiCS

On string instruments, players can cause a string to vibrate only in sections by touching it lightly at the appropriate point. This can produce a pure and clear note of a cool, silvery quality. It is called ‘flageolet notes’ or ‘harmonics’.

Cinematique.Instruments.Kantele.KONTAKT.Sub100-DYNAMiCS

The Kantele is a traditional plucked string instrument of the zitherfamily native to Finland and Estonia which, in turn, is part of the Baltic Psalteries instrument group. The KANTELE has a distinctive bell-like sound and diatonic tuning. Our Kantele has five strings tuned in G-A-B-C´and D´, but we made a Kontakt patch to play it in chromatic tuning*.

Cinematique.Instruments.Spieluhr.and.Glockenspiel.KONTAKT.Sub100-DYNAMiCS

The Spieluhr (as known as musicbox) is a small instrument which produces sounds by the use of a set of pins placed on a rotating cylinder plucking the tuned teeth of a steel comb*. Our musicboxes are tiny with a size of 2,4 x 2 x 1?. The Glockenspiel is a percussion instrument, composed of a set of tuned metal bars resting over a frame like a trough. We used the legendary red children model of Hohner™ with a small range from C4 to F5.

Thanks to their high pitch, both instruments produce a very assertive and bright sound.
No mirrors below please.

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Tonehammer Epic Guitars Vol 1 KONTAKT EXS24 WAV DVDR (repost)

Tonehammer Epic Guitars Vol 1 KONTAKT EXS24 WAV DVDR (repost) | 668 Mb
Tonehammer spend over six months developing this library with one of the best heavy session guitar players in the Scandinavia, Danne Forsblom. Danne used his custom 6, 7 and 8 string guitars in the sessions and played them through a variety of different amps and custom FX pedals. All riffs were recorded between X4 to X16 times (Yes, friggin 16 times!) with ultra-precision resulting in an unprecedently big sound. The core stacking technique is controlled by adjustment of modwheel on the keyboard controller.

The core library contains nearly 2000 riffs/phrases/licks, which are divided into 7 core tempos: 80, 90, 100, 110, 120, 130 and 140 BPM. All the loops/riffs were meticulously edited, so they stay in sync and adapt to host tempo, so you can literally use the loops in any tempo you desire. The style of the library is a mixture of nu metal with a a touch of hard rock/funk on top. We also wanted to ensure longevity and variety in the content, so it both contains more traditional 4/4 type of rhythm riffs, while also having several hundred melodic and rhythmically memorable type of phrases, so the users can literally create new songs out of the content in a matter of minutes.

Instruments/articulations
* 1.984 Riffs/Phrases
* 6 (drop tuned), 7 & 8 String Guitars
* Modwheel control of stacking (allows you to stack from 2 to 4 guitars at same time)
* Pitch bender control of FX
* Host syncronization
* Recorded through several amps and custom FX pedals
* 4-16 times riff stacking by co
* 80, 90, 100, 110, 120, 130 and 140 BPM
* Key-switch pitch control allow shifting up to +/- 3 semitones
* Extensive read me (.pdf) install, patch and hint documentation
* 27 BPM banks / 1.984 phrases / loops
* 1.1 GB installed, 684 MB .rar download
* Sample resolution: 44.1Khz / 24Bit stereo .wav format
* Format(s): Kontakt, EXS24 and .wav

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Westgate Studios Celtic Harp KONTAKT DVDR (repost)

Westgate Studios Celtic Harp KONTAKT DVDR (repost) | 1.34 Gb
The Celtic Harp Modular Series provides you with 12 patches with single note and glissando samples from a Celtic Harp. Westgate Studios introduces a new series of richly detailed samples and expertly programmed patches. The Modular Series sets a new bar of excellence in symphonic instruments. While most symphonic libraries try to give you a little bit of everything, this series is different. Because each Modular Series product focuses on a single instrument, you get incredible flexibility and detail that is simply unavailable elsewhere. The Modular Series takes advantage of custom scripts for Kontakt imidi control to use specially recorded interval samples giving stunning realism.

Glissandos: Major, Minor, Dominant 7, Whole Tone, Diminished and Augmented glissandos.
Single Note: Normal, Pres-de-la-Table and Harmonics.

Format: NKI WAV

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Precisionsound Alpine Concert Zither KONTAKT

Precisionsound Alpine Concert Zither KONTAKT | 182 Mb
The Alpine Concert Zither is a very common instrument in Alpine Europe but rarely heard nowadays in modern music. We have sampled both the open strings and the fret board strings and a lot of sound effects made by the zither. You get 257 24bit stereo and mono wav files divided into 3 programs and up to 3 velocity layers.

Contains:
* 257 24bit stereo WAV files
* 3 NKI programs for NI Kontakt

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PrecisionSound Tibetan Bowl KONTAKT

PrecisionSound Tibetan Bowl KONTAKT | 102 Mb
In Buddhist practice, singing bowls are used as a support for meditation, trance induction and prayer. Today they are used worldwide both within and without these spiritual traditions, for meditation, relaxation, healthcare, personal well-being and religious practice. The best known types are from the Himalayan region and are often called "Tibetan singing bowls". Tibetan Bowl SampleSet contains multi velocity Bowl hits, loops, swirls and effects. We also included some treated bowl pads. This library is great for ambient music and film scoring purposes.

Contains:
* 84 24bit stereo WAV files
* 18 NKI programs for NI Kontakt

Tibetan Bowl mp3 Demo track:
goo.gl/xj5zn

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PrecisionSound Blanchet Cembalo KONTAKT

PrecisionSound Blanchet Cembalo KONTAKT | 251 Mb
At the beginning of the 18th century in Paris, Nicholas Blanchet, and his son Francois Etienne, the leading makers of the time, switched the method of making Cembalo/Harpsichords from that of the Ruckers family (celebrated Flemish makers of the 17th century) to their original method, producing an instrument with much lighter tone quality, strong in projection and rich in overtones.

Their shop was successful from the beginning but reached its peak in the mid-18th century, when they became 'facteurs des clavessins du Roi'. These instruments from the peak of the French tradition, are among the most widely admired of all, and are frequently used as models for the construction of modern instruments. The Blanchet Cembalo SampleSet was sampled from a perfect copy of the Blanchet, built from Ferdinando Granziera in Milano (Italy) in 1989.

Contains:
* 241 24bit stereo WAV files
* 4 programs for NI Kontakt: Blanchet 1, Blanchet 2, Uniti & Alternate

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Vir2 Instruments BASiS 1.1 KONTAKT

Vir2 Instruments BASiS 1.1 KONTAKT | 7.46 Gb
BASiS includes more than 7 gigabytes of the most diverse collection of basses available in the world of virtual instruments: classics like the Jazz Bass, P-Bass, Rickenbacker, and Musicman basses are presented alongside personality and genre tributes such as a classic Motown bass, a gospel bass, Jaco's Fretless, and Macca's Hofner. One upright bass and three slap basses are also included. In the synth bass category, more than a hundred patches are provided, ranging from thumping vintage synth basses to techno basses and esoteric fresh creations to spice up your tracks. Each instrument has been meticulously mastered and programmed for maximum musicality when placed in a mix.

All electric basses have been sampled from both the direct input (DI) and an amped perspective. A knob on the interface allows phase-aligned blending of the two, or the selection of one or the other. For the upright bass, the same knob allows mixing of the direct input and a phase-aligned tube mic output capture of the same sessions. Other onscreen controls allow pitch bend range adjustment, pick noise and fret noise controls, release layer controls, adjustable velocity curve, and instant and detailed control over EQ. A comprehensive selection of effects is included, including an octaver, compression, saturation, lo-fi, distortion, limiter, phaser, flanger, chorus, reverb, and delay.

Performance features include an innovative legato tool designed for true finger-smooth playing, and a customizable vibrato engine with control over vibrato types, speeds, and depths. Rather than opting for traditional LFO-based vibrato, BASiS uses a sophisticated character vibrato modeled after real bass players, completely controllable from the keyboard and onscreen interface. Randomized pick noises, release samples, and fret noises add to the realism of each instrument. Combining all of these innovative features into one virtual instrument, the end result is a versatile, varied, and intuitively playable library of the finest low-end instruments in the world.

Vir2 Instruments BASiS 1.1 features
* Improved blending and smoothness of legato mode in all electric, upright, and fretless instruments.
* Various other small fixes and improvements.

To add the library use 'Add library button', no istallation required.

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